Henrike Iglesias is a theatre collective with a focus on work in Berlin and Basel and was founded in 2012 by Anna Fries, Laura Naumann, Marielle Schavan and Sophia Schroth. In the meantime, Eva G. Alonso and Malu Peeters are now also part of the crew. They have known each other since sports high school. Their theatrical scope ranges from the popular to the personal to the political. They understand pop cultural and mass media phenomena as a mirror of social conditions and grievances and have made it their task to illuminate them from explicitly feminist perspectives. They like to appear as Feminist Killjoys, DJ Henrike Iglesias and as internet users.

With their debut WIR KOMMEN NICHT AUS DEM SHOWBIZ (AUCH WENN MAN DAS VIELLEICHT KÖNNTE) they won the audience award at the 100° Berlin Festival of the Sophiensæle in 2013. In 2014 they created I CAN BE YOUR HERO BABY at the Schauspiel Leipzig residency. This was followed in 2016 by the performance GRRRRRL, in which they examined attributions of "evil" in relation to women*, in 2017 by #HELDINNEN at Theater Bielefeld in collaboration with actresses from the ensemble, as well as the workshop format ACADEMY for the first time as part of the festival The Future is F*E*M*A*L*E*. In 2018, Henrike Iglesias performed a flight number in 1968 - EINE BESETZUNG DER MÜNCHNER KAMMERSPIELE and produced the feminist live porn OH MY. Until 2020, Henrike Iglesias are in a double-pass partnership with the Münchner Kammerspiele and the jungen theatre basel, which resulted in the production FRESSEN at the Kammerspiele in 2019 and UNTITLED [2020] with young performers from Basel at the jungen theatre in 2020. Her work UNDER PRESSURE was invited to the digital showcase Stages Unboxed of the Theatertreffen 2021.